REVIEW: The Blink That Killed The Eye by Anthony Anaxagorou
Spoken word artist and social commentator Anthony Anaxagorou has released his debut novel to a cult following and unsuspecting public. Somewhat misrepresented as a collection of short stories The Blink...
View ArticleRadiant Vermin @ The Soho Theatre
Radiant Vermin…What a name! It’s names like this that could only have come from the colourful and visceral mind of Philip Ridley; though this one is slightly different. This play is billed as a...
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REVIEW: Theaster Gates at White Cube
Among the various questions posed by Freedom of Assembly at White Cub, floats the incessant and accusatory “But is it Art?” Presenting a taste of his polysemous practice, Theaster Gates’ minimalist but...
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General Election 2015 : The revolution will be artistic
With half of the population sleep voting, the other half in shock, and still another absent from any register of existence; yesterday we elected a Tory government. Today the dewy skinned face of Great...
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INTERVIEW: Carla Langley, lead actress in Cuddles
Escalating tension delineates a dimly lit stage; the audience holds their breath as a striking young woman entertains an unseen love interest. Tabby (Rendah Heywood) exudes a tragically familiar...
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A brief history of Orientalism : Picasso’s Les Femmes d’Alger becomes the...
This week fine art defied the world yet again, by confounding all notions of monetary value. Affirming the delicate existence of optimism somewhere among our gathering shadows, on Monday 11th May...
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INTERVIEW: Keith BraveHeart, Oglala Lakota artist
Opening up the sky in search of some long forgotten spirit, Oglala Lakota artist Keith BraveHeart presents a time bending portfolio. Betraying itself to those who care to see in the devastating irony...
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REVIEW: The BP Exhibition, Indigenous Australia: Enduring Civilization at the...
As The BP Exhibition, Indigenous Australia: Enduring Civilization comes to a close this 2nd August, it remains a bone of contention. Presenting ethnographic artefacts, historical and contemporary...
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REVIEW: Chiwetel Ejiofor stars in EVERYMAN at National Theatre
This season National Theatre presents EVERYMAN “a play for the antrhopocene age”. Headlined by the charismatic Chiwetel Ejiofor, Carol Ann Duffy’s retelling of the 15th century classic measures the...
View ArticleREVIEW: Bakkhai at Almeida Theatre
God is on stage at Almeida Theatre. He has a penis and cross-dresses. The madness he spreads is a force of nature incarnate in the object of patriarchal paranoia and wet dreams; women. As part of Greek...
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INTERVIEW: Hannah Blight Anderson, Jerwood Drawing 2015 finalist
This week Jerwood Drawing Prize arrives. Presenting 58 artists, Britain’s longest and largest annual open exhibition fuses established names with new blood. A panel comprised of Dexter Dalwood, artist;...
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REVIEW: The Oresteia at Shakespeare’s Globe
The year is primeval. Old gods roam the earth, luring man into epic transgression. Civilization is rife with incest, cannibalism, adultery, murder and civil disobedience. With hubris of such grotesque...
View ArticleREVIEW: Orphée et Eurydice at Royal Opera House
London’s latest incarnation of the tragic amphitheatre of Ancient Greece shows its face as Orphée et Eurydice at the Royal Opera House. Co-directed by first time opera director Hofesh Schechter and...
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REVIEW: The Amazing World of M.C. Escher
This season Dulwich Picture Gallery presents the UK’s first major retrospective of original work by the great Dutch graphic artist Maurits Cornelis Escher (1989-1972). The Amazing World Of M.C. Escher...
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Frieze Art Fair 2015: 10 things we learned
The circus is back in town. For four days of mania, selfie taking and spectacle, Frieze London 2015 constructs its own microcosm of the art market. International exhibitors struggle for survival while...
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Frieze 2015 Highlight: interview with Naotaka Hiro
Among the carousel of galleries writhing for attention at this year’s Frieze London, The Box LA stood out with its exhibition “Men in LA, Three generations of Drawings” featuring drawings from Naotaka...
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A brief history of Orientalism : Picasso’s Les Femmes d’Alger becomes the...
This week fine art defied the world yet again, by confounding all notions of monetary value. Affirming the delicate existence of optimism somewhere among our gathering shadows, on Monday 11th May...
View ArticleClik here to view.
INTERVIEW: Frieze London artist, Naotaka Hiro
Among the carousel of galleries writhing for attention at this year’s Frieze London, The Box LA stood out with its exhibition “Men in LA, Three generations of Drawings” featuring drawings from Naotaka...
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REVIEW: Tipping Point at London International Mime Festival
Ockham’s Razor presents their new show Tipping Point produced by Turtle Key Arts, as part of London’s International Mime Festival. A year in development, the sheer physical technique represented by the...
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